Jason Prince

Miami Location Sound Supervisor

Location Sound Mixer and Production Sound Supervisor serving South Florida, Miami, Fort Lauderdale, Boca Raton, Palm Beach, and surrounding areas. Available statewide across Florida, including Orlando, Tampa, and Jacksonville.

Also available for travel to major production hubs, including Atlanta, New York City, Los Angeles, and nationwide productions.

Experienced in reality TV, documentary, and unscripted production audio with expertise in multi-camera workflows, wireless audio systems, and on-location sound recording.

A cinematic outdoor film set at dusk on a quiet Miami street, focusing on a boom pole resting on a sturdy C-stand, its shotgun microphone snug in a gray blimp with detailed mesh and shock mount. Around it, colorful gaffer tape marks on sun-warmed asphalt, orange traffic cones, and folded sound blankets lean against a low stucco wall. The sky glows with soft blue hour light while practical sodium-vapor streetlights cast warm pools below, creating a subtle contrast. Photographic realism, captured at eye level with a wide lens to emphasize environment, evoking a calm, professional, on-location workflow atmosphere without any visible crew.

Services

From initial scout to final delivery, comprehensive location sound services are provided for reality television, documentary, commercial, branded content, and unscripted productions. Coverage is based in South Florida, including Miami, Fort Lauderdale, Boca Raton, and West Palm Beach, with availability across the entire state of Florida, including Orlando, Tampa, and Jacksonville. Services are also available for travel to major production hubs such as Atlanta, New York City, Los Angeles, and nationwide productions.

As a Location Sound Supervisor and Production Sound Mixer, full audio department oversight is handled from pre-production through wrap. This includes crew staffing, custom gear packages, RF coordination, workflow design, and on-set sound direction to ensure clean, consistent, broadcast-quality audio in any environment. Experience spans high-density wireless setups, multi-camera reality productions, fast-paced field shoots, and controlled studio environments.

Services are designed to adapt to the specific needs of each production, whether supporting a full-scale multi-camera reality setup, a documentary-style run-and-gun shoot, branded content, interviews, or live event coverage. Each project is approached with a focus on efficiency, reliability, and seamless integration with production teams to keep schedules on track.

Production environments include outdoor locations, humid and high-interference conditions, interior builds, studio stages, and travel-based productions. Audio workflows are built to scale, ensuring consistent performance across changing locations, talent counts, and production demands.

Core services include location sound mixing, production sound supervision, wireless microphone management, boom operation coordination, timecode synchronization, IFB systems for producers, multitrack recording, and direct camera audio feeds. All systems are designed for redundancy and reliability to protect every moment captured on set.

Whether production requires a full audio department build-out or a streamlined single-unit setup, the focus remains the same: delivering clean, network-ready audio while maintaining a smooth, professional workflow from start to finish. n-scale crew for high-end features and series, I tailor each package to your budget, schedule, and post-production pipeline so sound never slows your set down.

View Details

An interior TV commercial setup inside a modern Miami apartment, with the focus on a compact mixer-recorder placed on a low rolling sound cart. The cart holds neatly coiled cables, wireless receivers with tiny LCD screens glowing soft blue, labeled lavalier pouches, and a slate resting beside them. The background reveals a blurred living room with clean white walls, tall windows, and hints of palm trees outside. Late afternoon sunlight filters in, mixed with soft LED panel light, creating gentle highlights on metal surfaces and a comfortable, professional mood. Photographic realism, framed using the rule of thirds with a shallow depth of field that emphasizes the cart as the control center of location sound.

A detailed close-up of a weather-resistant sound bag worn over the back of a sturdy director’s chair, packed with a multi-channel mixer-recorder, wireless receivers, meticulously labeled frequency strips, and color-coded cables feeding into a neatly arranged harness. Behind, a blurred beachside commercial set reveals pale sand, turquoise water, and modern glass buildings in the distance, hinting at Miami’s coastline. Bright but diffused daylight from a lightly overcast sky minimizes harsh shadows, creating soft reflections on plastic screens and connectors. Photographic realism with a crisp, clean aesthetic, captured from a slightly low angle to make the equipment feel central and authoritative, conveying reliability and readiness for unpredictable on-location conditions.

A night-time urban rooftop film set overlooking downtown Miami’s illuminated skyline, the focus on a pair of boom poles resting on padded stands, their microphones protected in sleek black blimps with furry windshields catching subtle rim light. Nearby, a compact sound cart with glowing LED meters, labeled channel strips, and coiled cables sits against a low parapet wall. The city’s neon signs and office lights create colorful bokeh in the background. A mix of cool moonlight and warm practical set lighting sculpts the scene, producing gentle highlights and purposeful shadows. Photographic realism, shot from a medium-low angle with asymmetrical composition, conveying a polished, cinematic, late-night production environment for high-end location sound supervision.

Reviews

Aya Nakamura

“Jason kept our Miami beach shoot sounding controlled and professional, despite wind, traffic, and crowds. Post loved the tracks.”

Mateo García

“Best location sound supervisor we’ve hired in Florida—proactive, calm under pressure, and always two steps ahead of production.”

Phone

561-859-5531

Miami, FL, United States